In 1970, Eva Hesse died of brain tumors at the the height of her art career. She was 34 years old. In her wake, she left behind one of the most remarkable bodies of work by a twentieth century artist. After her death, the Guggenheim Museum gave her a five-year retrospective, and filled the famous space with her work.
Not generally known outside the art world, Hesse’s remarkable story has finally come to film. ‘Eva Hesse’ is a documentary about the process and making of her art, her personal journey out of Nazi Germany, and the exciting, creative community of New York in the Sixties. Directed by first-time filmmaker, Marcie Begleiter and produced by Karen Shapiro, the story is a compelling and compassionate telling mostly in Hesse’s own words, narrated beautifully by Selma Blair. The theatrical debut will take place April 27, 2016 at the Film Forum in New York.
The filmmakers are running a Kickstarter campaign to bring the film into wide release to a long-waiting audience.
There are some amazing rewards at the higher levels:
Walk the New Whitney Museum with curator, Elisabeth Sussman. Get the inside scoop on the big move, Hesse’s work and the museum’s long association with the artist as you walk and talk with Ms. Sussman.
and at the lower level:
LIMITED EDITION SOL LEWITT ‘DO’ LETTER. The Blanton Museum‘s publication of LeWitt’s famous letter to Hesse in 1965 which was created for the exhibit “Converging Lines: Eva Hesse and Sol LeWitt.” Oversize print on heavy paper. These are the last 50 that the museum has, and most are gone as of this writing.
Take a look at Hesse’s work, and definitely click over to the Kickstarter campaign to enjoy a film clip, and learn more about the project. She was truly a woman before her time; an unforgettable voice that resonates still among artists, makers, feminists and contemporary culture.
Dr. Kenneth Goldsmith mirrors an idea whose time may have come:
I’m so tired of reading, every time you pick up a paper, on how bad the Web is,” he told the Washington Post. “I don’t think that’s true. I think the Internet is making us smarter.
So he has set out to make an academic point. Poet, UbuWeb founder and professor Kenneth Goldsmith is teaching a weekly class next semester at The University of Pennsylvania, which requires students to “stare at the screen for three hours, only interacting through chat rooms, bots, social media and listservs”.
Appropriately, the seminar is titled “Wasting time on the internet“. The only course materials needed are a wi-fi connection and a laptop.
As the surrealists before him, Goldsmith says he hopes distraction will place his students “into a digital or electronic twilight,” similar to the state of consciousness between dreaming and waking. It is this state that may be gold to mine, gold that seemingly, every undergrad dreams of: wasting time on the internet.
Goldsmith’s highest hope for the class is that students will walk away better from the experience, “having theorized what they haven’t already theorized.”
What do women really want? It’s a question for the ages. And in this age, this idea started back when co-founders Josephine Wai Lin and Dalal Khajah were working at advertising agency AKQA.
“We hired men to act as body guards for our bosses as a joke.”
“One guy was actually a male stripper but we wanted him to just pretend he was fending them off from the paparazzi. We told him we didn’t want him to take his clothes off. He was so confused.”
According to a piece in TechCrunch:
They did this a couple of times with male body guards, and then started hiring men for their friends’ parties. Their friends loved it so much, the founders realized they were onto something.
ManServants was born.
And, if you are a man, who wants to get paid to be your handsome, charming self, Manservants’ compensation begins at $80/hr. Heads up:
Do not consider applying if you have ever been called the following: douchebag, sexual offender, sexist, creeper, nutjob, weirdo, or convicted felon.
These ladies do know what women want!
Have you noticed? People over 45 don’t “act their age”? And what exactly does acting one’s age mean, anyway? We live in a time of physical augmentation and augmented reality as the norm. At the same time, we live in a time of radical redefinition of the term “aging”. What exactly does aging mean?
Neither of my parents are traditional when it comes to “acting their age”. So I didn’t get the memo that said: When you turn 50, hang it up, start becoming a senior citizen, and generally shift into low gear.
And I’m not the only one. Turns out, that may be more than coincidence. Being youthful, and in the moment, takes more than an outlook.
Science is finding that when we are “actively making new distinctions, rather than relying on habitual” categorizations, we’re alive; and when we’re alive, we can improve.
Check out the work of psychologist, Ellen Langer in The New York Times Magazine, last week. She has worked with this thinking for the last thirty years, and it doesn’t seem she’s destined to stop, as in this decade, the global population of elderly consumers is set to swell by 200 million.
By 2050, Boomers are expected to reach 2 billion, that’s BILLION people with a B, and, of course, marketers are noticing too. With this attention, a new term for the “Baby Boomer” is emerging:
The Flat Age Society reflects the notion that most first world people in this demo/psychographic are aware of: The ability to flatten aging, as opposed to aging as perhaps their parents and, most certainly, their grandparents accepted as inevitable. The Future Laboratory’s editor-in-chief Martin Raymond and senior journalist Sonia Cooke discuss in the video below.
As we begin to see older women represented in popular culture, as attractive, vital and relevant; conversations open up about aging, and how the pressures of staying youthful impact women both in and out of Hollywood.
Frances McDormand is a case in point as she ventures into territory most actresses avoid:
“We are on red alert when it comes to how we are perceiving ourselves as a species,” she said. “There’s no desire to be an adult. Adulthood is not a goal. It’s not seen as a gift. Something happened culturally: No one is supposed to age past 45 — sartorially, cosmetically, attitudinally. Everybody dresses like a teenager. Everybody dyes their hair. Everybody is concerned about a smooth face.”
With 2 billion! of us entering into the next era of aging (and consuming), perhaps the Flat Age Society will expand the idea of aging with choices, and the effect will be that we become more comfortable doing so.
“I like the idea of these people bumbling around the world and having fun, and not taking life too seriously.”
At first, I was just looking for images without copyrights on them! It was maybe a few months into Scorpion Dagger when I realized that I kept going back to the Renaissance art, and started thinking that maybe there was something to it.
Slowly, I developed this idea of using these old paintings to create a world where the characters on the canvas would leave the museum and go home to this place I created for them. It’s actually a pretty natural fit for me because I’m fairly politically inclined, and the nature of these paintings lends perfectly to some of the critiques of things like religion and modernity that I’d like to explore.
From an article on The Creator’s Project.
So goes the thought process behind James Kerr’s world; a place drawing from classical imagery, married to modernity with hilarity.
In the next iteration of Kerr’s world, he partners with Anteism, a small Canadian publishing company, which works closely with artists to produce and publish seamless hand-made artist books. They also one of the first art book publishers to integrate augmented reality with publications.
A 6”x9” softcover augmented reality book + app and a limited edition 8”x10” signed hardcover with leatherette case. With the use of a special app and tablet/phone the images on the page come to life with Kerr’s animations.
Check out the video for the campaign:
Oh, and be sure to get over to Scorpian Dagger for more of the animated GIF action.
After more than two decades living in the San Francisco Bay Area, and 14 years in Sonoma County, I made the move back to my roots in Southern California. Los Angeles, is an amazing place, full of opportunity for the experiences I love.
Looking forward to more post inspiration and sunsets like this one.
More photos on dgirlp’s Instagram.
Top: Anna Wintour & Donatella Versace
Bottom: Lady Gaga & Coco Chanel
“Mua Mua is a line of hand-knit dolls crafted on the island of Bali in their ‘Warhol-inspired’ factory. Designer, Ludovica Virga, creates playful representations of fashion figures and celebrities with the help of the local community including the likes of Anna Wintour, Karl Lagerfeld, Lady Gaga. Mua Mua aims to give the young women who help knit these high fashion poupettes an opportunity for a university education.” via aha life
Indeed, though it looks like Ludovica mashed up the Waldorforian aesthetic with contemporary culture in a fresh, unique take. Wethinks Coco Chanel would approve.
Hear the story in the video below:
Monday. Words. Anaïs Nin: Anxiety is love’s greatest killer.
Image: Debbie Millman